The Cast of ALMOST,MAINE Photo by Brad Meyer

Photo by Brad Meyer

Ten months of family business in New York had kept me away from the Conroe theatre scene for a very long time, so it was especially nice last Saturday evening to follow dinner with a dear friend at Joe’s Italian Restaurant (Oh, that divine tomato sauce!) by a visit to the latest Players Theatre Company production at the Owen Theatre. (Artistic Director, Joe Viser) Written by John Cariani and titled Almost, Maine, the play offered evidence that this must be my week to attend slightly offbeat shows. I had just finished reviewing a cute and “edgy” one-woman musical titled, In Search of Johnny Depp, at the TUTS Underground in downtown Houston’s Hobby Center. (See review at www.ThePeoplesCritic.com). Both of these shows served up generous portions of the unexpected, with side orders of both humor and pathos.

Almost, Maine could be mistaken for a theater workshop class with its series of eight little vignettes, each with only two or three players from among the cast of twenty-one. In his program notes, director, Don Hampton, describes the show’s primary theme as “the irrationality, sheer joy, and sometimes heartbreak of LOVE.” The love theme seemed timely with the approach of Valentine’s Day, and the house even offered attending couples the opportunity to be photographed against a valentine backdrop in the theater’s lobby. And even before the show began, a series of love-related quotations and sayings were being slowly projected on the stage. Lines like, “True love stories never have endings,” and “If love is blind, why is lingerie so popular?” come quickly to mind. It was a nice way to settle the nearly full-house audience before ShowTime.

The scenes all take place in frozen northeastern Maine under a very starry sky, (Lighting, Tony Knepper). Everyone is bundled up against the cold, while cottony snow and frost border the stage and simple set pieces. The sketches were loosely linked by a Prologue, Interlogue & Epilogue featuring Jody and Amy Nabors in short scenes amusingly demonstrating that when you are right next to someone, you are also as faraway from them as you can be because the world is round. Speaking of being faraway, those of us seated in the last rows would have occasionally appreciated stronger vocal projection from some in the cast.

When the show really gets underway, the first scene features, Katt Gilcrease and Shelby Escamilla in “Her Heart,” the sweet short tale of a gal who has traveled to icy Maine in hopes of seeing the Northern Lights.

(L-R) Timothy Eggert, Angeli De Los Santos, & Jessica Harlan PHOTO: Brad Meyer

(L-R) Timothy Eggert, Angeli De Los Santos, & Jessica Harlan
PHOTO: Brad Meyer

“Sad & Glad” is the amusing Scene 2 with Timothy Eggert and Jessica Harlan as a long-separated boyfriend and girlfriend who have an awkward chance encounter at the bar where she is being feted with a bachelorette party on the eve of her wedding. I loved the part when he tells her about his parents moving “down south” to Vermont to escape the rugged Maine winters. The bar’s overworked waitress (Angelie De Los Santos) adds to the fun. “This Hurts’ is the nutty Scene 3 account of a couple who meet at the Laundromat. Clinton Jeter plays the mentally challenged young man who apparently suffers from a “hereditary sensory neuropathy” condition that does not allow him to feel pain. While waiting for his laundry he is making a list of things that might hurt when he is unaware of it. Brooke Riley plays the gal who accidentally smacks him in the head when she turns around with her ironing board. Need I say more? As happened from time to time in this play, the directorial pacing here was on the sluggish side, and I noticed a woman seated in front of me suddenly snapped her head back when she was abruptly awakened by her own snoring. Scene 4 was titled “Getting it Back,” and Grace McDaniel & Bob Galley play lovers with relationship problems that do happily resolve when she demands the return of “all the love I ever gave you.”

After my nice Intermission cup of hot coffee in the theater’s cozy lobby, Act II opened with a kooky but endearing first scene titled, “They Fell.” Landon Edwards and Drew Schultz cleverly portray two rugged young Mainers who have been rejected in love by the ladies. But they find consolation in being really good buddies to one another. The comic timing here is terrific, and the results are pretty hilarious. I’ll leave it at that. Scene 2 is called “Where It Went,” in which an ice skating couple (Bill Giffen & Bre Jatzlau) is confounded by the disappearance of a shoe during their skating. Expect a surprise when the next shoe drops in that sketch. Scene 3, “The Story of Hope,” features Margaret McDonald & Mr. Jeter as it depicts the return of a girl searching to find the old beau who once asked her to marry him. The long gaps and tedious pacing in this scene made one look forward to the brisk and focused activity of the talented stage crew that efficiently shifted scenery during each set change.

Angelie De Los Santos & Hunter McMahon PHOTO: Brad Meyer

Angelie De Los Santos & Hunter McMahon
PHOTO: Brad Meyer

In the final scene, “Seeing the Thing,” there is a slow start with Miss De Los Santos playing a shyly inexperienced girl frightened by the affectionate advances of Hunter McMahon. But as the scene progresses it becomes one of the most delightfully hilarious segments in the show. If that’s not temptation enough to attend, consider this. There is a strip scene that beats anything Gypsy Rose Lee ever tried, and it is not X-Rated. You can safely bring the whole family!

ALMOST, MAINE continues through February 15th at The Owen Theatre, 225 Metcalf Street in Conroe. Performances are Fridays and Saturdays at 8pm with 2pm Sunday matiness on February 8th & 15th. Tickets are $22 or less, depending on group or age discounts. For information visit the website at www.owentheatre.com or call 936-539-4090.



About The People's Critic

David Dow Bentley III, writes columns about the performing arts which are featured in newspapers from the East Coast to the Gulf Coast. A member of the American Theatre Critics Association (ATCA), The International Theatre Critics Association, and America's oldest theatrical club, The Lambs, he also had long service as the editor of The Lambs' Script magazine. Mr. Bentley may be contacted via e-mail at ThePeoplesCritic3@gmail.com.
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  1. Michael B. Byrne says:

    Your writing has taken a strong up-tick! Keep up the good work !

  2. Barbara Bouma says:

    A great review. Critique and encouragement balanced again! How fortunate your students were to have you as a teacher.

    Looking forward to Saturday night Mardi Gras celebration.


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