River Oaks Chamber Orchestra Delights MCPAS

PHOTO: Courtesy of River Oaks Chamber Orchestra

PHOTO: Courtesy of River Oaks Chamber Orchestra

The longtime reputation for excellence associated with performance offerings arranged by the Montgomery County Performing Arts Society (MCPAS) was certainly enhanced by last Sunday evening’s wonderful concert from the River Oaks Chamber Orchestra (ROCO) set in the elegant surroundings of Conroe’s beautiful Crighton Theatre. Having guest conductor Mei-Ann Chen at the helm was just icing on the cake for an evening of entertainment that has been aptly described as, “the most fun you can have with serious music.”

Mei Ann Chen PHOTO: Courtesy of River Oaks Chamber Orchestra

Mei Ann Chen
PHOTO: Courtesy of River Oaks Chamber Orchestra

ROCO’s Artistic Director and Principal Oboist, Alecia Lawyer is founder of the group, and the sought-after Ms. Chen is Music Director of both the Memphis Symphony Orchestra and the Chicago Sinfonietta. Chen clearly enjoys her work and literally beams with joy as she introduces her talented musicians and conducts this splendid orchestra. The concert was billed as ROCO Celebrates Asia and featured both composers and compositions that were heavily influenced by Asian cultures.

The first work presented was Teen Murti for String Orchestra by Indian composer, Reena Esmail. The haunting mystery of its opening passages evolved into pulsing rhythms from opposing sections of the strings. The exciting composition moved on to take many unexpected twists and turns, somber one moment, and full of surprising tempo changes the next.

The second selection was one that is rarely performed, and I suspect that may be because of the considerable musical sophistication required of both musicians and audience for the somewhat avant-garde Serenade for Tenor, Horn and String Orchestra by Benjamin Britten. Britten, who was known for his extensive poetry collection, composed this work to accompany a tenor’s performance of several poems reflecting on the close of day, the arrival of night, and even the end of life. Those poetry selections were beautifully sung by tenor, Zach Averyt, and included poems by such literary giants as Alfred, Lord Tennyson, William Blake, Ben Johnson and John Keats. Performing the extraordinary horn solo segments with exquisite clarity was Danielle Kuhlmann, who described the challenging composition as her, “favorite piece of all time.” As for Mr. Averyt, the rich warmth and power of his voice was well suited to this multi-faceted and demanding work. Even during the extended passages for orchestra-only that came between poems, he had a notable stage presence with solid theatrical bearing and intense focus.

The orchestra signaled the end of Intermission by playing a thrilling “Fanfare,” that was an original composition by the group’s Principal Trombonist, composer Anthony DiLorenzo. That set the stage for the orchestra’s dazzling performance of composer Béla Bartók’s musical feast in the Second Suite, Op.4. It is a thrilling work that seems to take us on an exciting full tour of the orchestra. Lovely and lilting work from the harp offers a subtle backdrop that seems to punctuate the beautiful melodies that shift from strings, to brass, to woodwinds in this brisk, bright and sweeping piece full of shimmering variety. Watching these fine musicians at work somehow reminded me of the occasional short-subject MGM Orchestra specials that would sometimes accompany the feature film in theaters years ago.

2009 ROCO ProcessThe final selection of the evening was Folk Songs for Orchestra, by Huang Ruo. These three works, representing different regions of China, featured unusual percussion instruments for drums, cymbals and gongs that were typical of Chinese music. The charming “Flower Drum Song from Feng Yang” made me wish there were Oriental dancers on stage. The “Love Song from Kang Ding” had lush romantic moments as gentle as a wind chime. The exciting melody of “The Girl from Da Ban City” rotated from brass, to strings, and then percussion before the full orchestra focused its brilliance on the thunderous and thrilling conclusion. The audience leapt to its feet in celebration.

The Montgomery County Performing Arts Society will next present country singer, John Conlee, in performance at the Crighton Theatre on Saturday October 19th at 8pm. For tickets and information call 936-441-7469, or visit the website at www.MCPAS.org. For further information on the programs of the River Oaks Chamber Orchestra, visit their website at www.ROCOHOUSTON.org.

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About The People's Critic

David Dow Bentley III, writes columns about the performing arts which are featured in newspapers from the East Coast to the Gulf Coast. A member of the American Theatre Critics Association (ATCA), The International Theatre Critics Association, and America's oldest theatrical club, The Lambs, he also had long service as the editor of The Lambs' Script magazine. Mr. Bentley may be contacted via e-mail at ThePeoplesCritic3@gmail.com.
This entry was posted in Concert Reviews, HERE Lifestyle & Entertainment, Houston Community Newspapers online, Mei Ann Chen, River Oaks Chamber Orchestra, The Courier Columns, ThePeoplesCritic.com, YourHoustonNews.com and tagged , , , , , . Bookmark the permalink.

2 Responses to River Oaks Chamber Orchestra Delights MCPAS

  1. Michael B. Byrne says:

    I would’ve loved this! What a treat it must’ve been, albeit a little off the mainstream.

  2. Niles says:

    Wow, that must have been a great place for it

    Sent from my iPad

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